Original albums of Victorian cartes-des-visites regularly come up for sale, but often we know little about the way these collections were put together. How often were people buying cards? How much was acquired as part of a clear collecting strategy and how much was picked up on arbitrary impulse, according to what was available or looked appealing? What personal use did the collector make of the images he had acquired? Was the album taken out in the evenings to be pored over as we might do with a glossy 'coffee-table' book?
Questions such as these invite comparisons with modern habits of collecting, as well as highlighting the extent to which the meaning and nature of celebrity status has changed over the last 150 years. Some people might be bemused today at the notion of a man like Bishop Phillpotts being regarded as a celebrity, but his contemporaries would be equally baffled, if not more so, at the activities and achievements of those accorded the status of celebrity by the modern media.